A Tale of Two Cities audiobook is set in London and Paris before and during the French Revolution. The novel chronicles the narrative of French Doctor Manette, his 18-year incarceration in Paris’ Bastille, and his release to live in London with his daughter Lucie, whom he had never met. The plot is set against the backdrop of the French Revolution and the Reign of Terror.
A great historical book – A Tale of Two Cities audiobook
Charles Dickens’ classic historical novel, A Tale of Two Cities audiobook, is set amid the dramatic upheaval of the French Revolution. It is his most renowned and maybe most beloved work, compressing an event of enormous complexity to the scale of a family history, with a cast of characters that includes a homicidal ogress and an antihero as realistically damaged as any in modern fiction. Though not typical of the author’s works, A Tale of Two Cities highlights many of his persistent themes, including incarceration, injustice, social anarchy, resurrection, and the renunciation that creates regeneration.
While A Tale of Two Cities audiobook is masterfully written, with sly humor, densely meaningful descriptions, a cast of quirky characters only Dickens could create, an endless series of telling binaries and foils, and relevant social commentary about the French Revolution and Dickens’ time, it is also just a damn good story. By a fantastic storyteller.
A Tale of Two Cities audiobook is written stereotypically, overusing the good/bad/ugly/beautiful characterisation scheme without the second layer and avoiding describing actual interior problems and anything that gives them greater depth and complexity. There are no true cliffhangers, second and third plotlines, dramatic shifts in perspective, or a general lack of speed and tension; it’s like if an ultra-stoic person tells you a narrative without any mimic or emotion, and you have no fight the want to fall asleep while listening.
A Tale of Two Cities audiobook is Dickens’s darkest narrative, and without a doubt, it’s about the violent French Revolution, and Dickens uses all of his barbed humor to demonize what was properly demonic. To his credit and skill, he does not sugarcoat the vast social inequities that precipitated the irreversible demise of the aristocratic French elite. Although he lacks his customary sense of humour, which is acceptable, he once again demonstrates his command of characterisation. Madame Defarge is the most full and now archetypal figure. Bill Sykes was his most memorable adversary, but Citizeness Defarge was just an image of wickedness.
Some say that in A Tale of Two Cities audiobook, Dickens muses on his just began romance with eighteen-year-old actress Ellen Ternan, which was maybe platonic but undoubtedly amorous. Ternan’s physical resemblance has been remarked in Lucie Manette. Dickens employs direct translations of French idioms for those who are unable to communicate in English.
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